Natalie Cheung is a dramaturg of transmedia productions including Sound Astronauts, Inter-Face, Things that Talk, Morbid Anatomy, working closely with light. She experiences facilitating and creating critical dialogues with the creative team. She curates programs and writes critics’ guides to explore aesthetic and social contexts with audiences. Her publication and presentation can be found in peer-reviewed journal and conferences such as Critical Stages, Performance Studies international, Hong Kong Drama Yearbook, Hong Kong Dance Overview and Critics’ Guide of Hong Kong Arts Festival and New Vision Festival. Natalie is also a drama educator proficient in opening conversation with communities through diverse means.